|Aleksandar was born January 22nd 1973 in Belgrade, in what was then Yugoslavia. From his earliest days, the family residence constantly shifted: from Bremen to Singapore, from Rome to New York, and not surprisingly, so too did his fields of interest – from art to biology, from literature to physics.
Music, however, was not counted among his talents. Albeit the fact that he was reading and writing before the age of three and that he was exceptionally gifted for natural sciences, he had a distinctly bad voice and a very poor pitch. Actually, he was often told, even by those who loved him, that he could probably do anything with his life – except become a musician. And he wasn’t really bothered…
Then, one day, just couple of weeks before his 15th birthday, the boy received an unusual and, as it proved, a life changing gift. It was a CASIO calculator. A simple electronic abacus with a funny add-on. If chosen, the pads became a part of an octave and a half wide “keyboard”. The 0 key became a Do, the 1 became a Re…and so on… As it showed, it was his first chance to prove he wasn’t such a lost case, and he took it. In fifteen minutes he had a “repertory” of some 20 different tunes. Weeks later he was still inseparable from his calculator and his parents decided to get him a really big one. As the 6 ft Steinway entered their home, Aleksandar taught himself how to read music and very soon realized he can sight-read practically anything. At the age of 16 he was already playing the late opuses of Beethoven’s piano sonatas, and as he says himself “…was practically devouring scores and books on classical music ranging from music history to orchestration and counterpoint”. Still, he was labeled “too old to start school” and he had no other choice but to continue his belated musical journey on his own…
Five years later, following a bet, and half way through med school, he took the entrance exams at the Belgrade conservatory, and although self-taught and lacking a single day of formal musical training, he placed first among all the applicants. Being finally given acknowledgement and approval as a musician, all his dilemmas were dissolved. Since then, it was all about music for Aleksandar. His opus expanded rapidly and in the years that followed he established a reputation as one of the leading classical composers of his generation.
Here is a short list with some of Aleksandar’s more acclaimed works:
• Under One Roof (An Anthropological Journey for the Symphony Orchestra): Commissioned by the United Nations in 2011, celebrating the goals and ideas of the UN Alliance of Civilizations Initiative
• Zodiac – 12 Character Pieces for Piano & Orchestra: Sponsored by NASA and the US State Department, with a set of remarkable video installations made from the materials captured by Hubble ST and Voyager ISM, that have been especially designed to follow the music and visually enhance the live experience of the cycle’s performances.
• Missa Solemnior: Marking the Year of Reconciliation following 950 years of the Great Schism between eastern and western Christianity – a Vatican commission
• Zhukov – A Portrait: Commissioned by the Russian Federation to mark the 50th anniversary of victory in WWII.
• Kaddish: For the Righteous Among Nations medals bestowed by Yad Vashem and the State of Israel
• Remember: Dedicated to the victims of the 9/11 tragedy in NYC. Text read by US Secretary of State Condoleezza Rice at the fourth anniversary commemoration at Ground Zero.
• Lullaby for Baby Jesus: Marking 2000 years of Christianity, performed at official celebrations in more than fifteen different countries during millennial celebrations by Protestant, Catholic and Orthodox Churches.
• Jesenin: A cycle of songs commemorating the centenary of the birth of this legendary Russian poet, undertaken in cooperation with the renowned and now late Serbian artist of Russian decent Mme Olja Ivanjicki, as inspired by the Hartman / Musorgsky collaboration.
• Crucified: An Ode to people suffering from and conquering Muscular Dystrophy – commissioned by the Telethon Foundation.
• A Little Mass: Celebrating 25 years of papacy of His Holiness Pope John Paul II, commissioned by the Bishopric Conference of Europe
• Heart of the Universe: The official Anthem of the 25th Universiade
• Faust: an opera for solo violoncello, marking the 250 years since the birth of J.W. Von Goethe.
Aleksandar’s music has also been used to mark numerous other official events, such as the UN General Assembly Sessions, Bicentennial of the Serbian state, the Tricentennial of St. Petersburg, or the Ecumenical gatherings of the Eastern Orthodox Patriarchs.
Over the years he wrote more than 20 different soundtracks for theatre and television. His first feature-movie OST was for the “Optimists”, directed by the celebrated Serbian/French director Goran Paskaljevic, and screened in prestigious film festivals such as the Tribeca and Montreal.
In 2005 he founded a chamber ensemble called Aleksandar Simić & The Seraphim. The group performs exclusively Simic’s music in a constant cross-over between contemporary classical and various other musical styles, such as tango, byzantine, klezmer, jazz or Broadway. The Seraphim have performed extensively and have since published two CDs and two full DVDs.
In 2005 he started a production company called “The Association for Promotion and Popularization of Classical Music”.
Besides music, an important part of Aleksandar’s life is his social work.
Year after year he has been acting as a spokes person and activist for some of the most important charity campaigns in Serbia such as Helping the Blind, Program Safe House or Notes from the Heart, initiated and headed by the Svetlost (Light) Foundation.
He was a guest lecturer at the Faculty of Political Sciences teaching Political Philosophy.
His contribution to the global inter-religious dialogue has been significant over the many years and in many different countries, and also as a part of the Pave the Way Foundation from NY that focuses on creating bridges between the global Jewish and Christian communities. Since 2010 he has been on the board of the East-West Bridge, an NGO based in Belgrade which since 2012 has become an official Serbian Chapter to the Trilateral Commission.
Since 2007 Aleksandar has been assisting the Simon Wiesenthal Center and Serbia’s Special Prosecutors office for War Crimes in the Operation Last Chance program, trying to expedite the work of Serbian, American and Hungarian administrations in bringing before justice the last remaining war criminals from WWII.
Since 2010 he is on a regular bases involved with the UN activities in many different countries and regions, assisting mainly to the UN Alliance of Civilizations Initiative, but also to the offices of the several sessions of the General Assembly and many different other UN agencies and programs.
More info: www.aleksandarsimic.com